The Vampire From Harlem & Those Two Niggas Behind Him is still keeping the Last Train To Paris on the tracks for its inevitable release and for that, I don’t know if we’re properly prepared for it. I mean, if J. Cole can turn a better demo of this track but it won’t see the public light of day and the only true plausible hits from it have come out roughly six months apart (“Hello, Good Morning” & “Loving You No More”) then why does Diddy still try?

Cause he can still find a way to count a terrible album as a tax write-off.